Roller Derby was a staple of the early television era and was similar in its promotional format to its better known “sports entertainment” cousin, professional wrestling. It was frequently seen in the same bad timeslots on the same low powered UHF TV stations, and it was run by the same loose confederation of Runyanesque promoters and businessmen that characterized the regional territory era of pro wrestling. Unfortunately, roller derby didn’t catch on the way professional wrestling did. There was obviously a serious athletic component to it, but the “angles” and storylines surrounding roller derby made pro wrestling seem like Ibsen by comparison. The sport does have its own history–most know that the LA T-Birds were the perennial champions of 1970′s, and Ann Calvello and Ralphie Valladares had been in the sport forever and were considered legends–but it never really stuck in the public consciousness like the pre-Hulk Hogan era of pro wrestling.
When the original purveyors of the sport quit promoting in the early 1980s most thought it was dead and gone until a ‘new school’ of roller derby surfaced on cable TV via the A&E reality series Roller Girls. It featured a local, all-girl roller derby league in Austin, Texas and followed the lives of the players on and off the track. While much of the show dwelled in Lifetime style drama about binge drinking and bad relationships, it was the first clue that many had that roller derby had risen from the dead. A sport that had faded into the lowest level of obscurity had been rediscovered and embraced by an eclectic group of young women. They had kept the same essential format, thrown in a healthy dose of burlesque camp and Varga pin-up inspired glamour and made it into their own vibrant subculture. They changed the competitive format and renamed the competitions “bouts” a la MMA or boxing. The result was a compelling mixture of glamour, toughness and athleticism driven by a healthy dose of punk rock “do it yourself” mentality.
